Buried Treasures: Zero Effect
Continuing my look back on three Buried Treasures from the late 1990s, let’s review 1998. That was the year of Steven Spielberg’s WWII drama, “Saving Private Ryan." Why it lost the Best Picture Oscar to the lightweight British comedy “Shakespeare In Love” remains one of the greatest mysteries in Oscar history. While “Saving Private Ryan” was the motion picture that year, 1998 was also the year of Roberto Benigni’s “Life Is Beautiful,” John Travolta’s star turn (a spot-on Bill Clinton impersonation) in Mike Nichols' “Primary Colors,” and director Terrence Malick’s triumphant return with “The Thin Red Line.” But there was also a little-seen gem called “Zero Effect.”
Directed by Jake Kasdan (son of director Lawrence), “Zero Effect” tells the story of Daryl Zero (Bill Pullman), supposedly the world’s “most private detective.” In fact, Zero is so private he won’t even meet with his clients. Instead, he sends his assistant Steve Arlo (Ben Stiller) to meet with them, so that he can, in turn, investigate his clients without their knowing who he is. Seems so logical, I wonder why private eyes don’t do this in real life. Zero also has a passion for jumping on his bed playing hard-rock air guitar.
Now I know what you’re thinking. Jumping on bed, assistant played by Ben Stiller, strange method of investigation. This has gotta be an offbeat comedy, right? Well, not really. I found the personality quirks (such as jumping on his bed) to be annoying, Stiller plays his role straight, and the very undercover method of investigation works like a charm (at least on screen, if not in real life). No, “Zero Effect” actually happens to be one of the most interesting mysteries I’ve ever seen on screen.
The plot concerns millionaire businessman Gregory Stark (Ryan O’Neal) who hires Zero to find out who is blackmailing him for his money. The blackmailer turns out to be Gloria Sullivan (Kim Dickens), a young EMT who, logically, should have no personal or social connection to Stark. But Zero refuses to turn her in until he understands why on earth she’s blackmailing a local businessman. In the process of the investigation (and remember, nobody knows who Daryl Zero is), he begins to fall for her romantically. As the plot continues to unfold, we learn of a shocking backstory involving the millionaire and the EMT. Meanwhile, the romantic entanglement (secondary though it may be to the story) is genuine and heartfelt. Could Gloria be the one to finally “tame” the great Daryl Zero?
Yes, “Zero Effect” is a bit offbeat, but again the screenplay is alluring, the script is tight (like something David Mamet might have written, albeit without his trademark stilted dialogue), and the acting is first rate — particularly Dickens as Gloria, the EMT. This was her first major starring role, and she continues to be the best character actress nobody has ever heard of. Need proof? Watch her as the police detective in last year’s “Gone Girl,” or as Mrs. Boswell in 2009’s “The Blind Side.” Dickens continues to fly under the proverbial radar while nailing all her roles, no matter how small.
Was “Zero Effect” a masterpiece? No, but it certainly deserved better than it got. While critics generally loved it, “Zero Effect” garnered slim box office. Go back and look for this one. You’ll be glad you did. “Zero Effect” is my Buried Treasure for this month.