As with most critics, my favorite film of 1990 was Martin Scorsese’s “GoodFellas.” But my second favorite that year was a small low-budget indie that still ranks as one of my most beloved pictures of the 1990s – James Foley’s “After Dark, My Sweet.” It is a neo-noir gem of which you've likely heard nothing before. Trust me, you’d do well to seek out this dark, intransigent look at three lonely, emotionally drained characters who would do anything for money.
After Dark, My Sweet
After Dark, My Sweet
After Dark, My Sweet
As with most critics, my favorite film of 1990 was Martin Scorsese’s “GoodFellas.” But my second favorite that year was a small low-budget indie that still ranks as one of my most beloved pictures of the 1990s – James Foley’s “After Dark, My Sweet.” It is a neo-noir gem of which you've likely heard nothing before. Trust me, you’d do well to seek out this dark, intransigent look at three lonely, emotionally drained characters who would do anything for money.