Political correctness is a sordid game I refuse to play. But even I admit I’m uncomfortable with a feature film about the 1967 Detroit riots with an almost entirely white creative team. Director Kathryn Bigelow reteams with her “Zero Dark Thirty” and
Detroit
Detroit
Detroit
Political correctness is a sordid game I refuse to play. But even I admit I’m uncomfortable with a feature film about the 1967 Detroit riots with an almost entirely white creative team. Director Kathryn Bigelow reteams with her “Zero Dark Thirty” and