“Hunt for the Wilderpeople” has a spring in its step. In some ways, it feels like the It natural evolution of writer / director Taika Waititi, after "Eagle v. Shark" (2009), "Boy" (2010) and "What We Do in the Shadows" (2014). He has always used quick cuts and visual diversions, sharp characters and precise humor. His movies feel personal, as if Waititi is standing in front of you doing a goofball dance, asking you to join in his journey. Join him.
Hunt for the Wilderpeople
Hunt for the Wilderpeople
Hunt for the Wilderpeople
“Hunt for the Wilderpeople” has a spring in its step. In some ways, it feels like the It natural evolution of writer / director Taika Waititi, after "Eagle v. Shark" (2009), "Boy" (2010) and "What We Do in the Shadows" (2014). He has always used quick cuts and visual diversions, sharp characters and precise humor. His movies feel personal, as if Waititi is standing in front of you doing a goofball dance, asking you to join in his journey. Join him.