Ten years ago I was amazed by the stop-motion animation film “Coraline” from Laika, stating that it took a practiced eye to even tell it apart from standard animation. The action was so smooth and the world it occupied so vast, it was hard to believe it was made by infinitesimal changes to puppets photographed one frame at a time, 24 per second.
Missing Link
Missing Link
Missing Link
Ten years ago I was amazed by the stop-motion animation film “Coraline” from Laika, stating that it took a practiced eye to even tell it apart from standard animation. The action was so smooth and the world it occupied so vast, it was hard to believe it was made by infinitesimal changes to puppets photographed one frame at a time, 24 per second.