I know Amy Seimetz more as an actress than I do as a filmmaker. I also know more of her mainstream and/or genre work (“You’re Next,” “Alien: Covenant,” “Pet Sematary” (2019)) than I do her independent efforts (“The Myth of the American Sleepover,” “Tiny Furniture,” “Upstream Color”). I haven’t seen her feature directorial debut, “Sun Don’t Shine,” despite having heard good things about it. I haven’t seen her television work as an actress (“The Killing”) nor as the creative driving force (“The Girlfriend Experience”).
She Dies Tomorrow
She Dies Tomorrow
She Dies Tomorrow
I know Amy Seimetz more as an actress than I do as a filmmaker. I also know more of her mainstream and/or genre work (“You’re Next,” “Alien: Covenant,” “Pet Sematary” (2019)) than I do her independent efforts (“The Myth of the American Sleepover,” “Tiny Furniture,” “Upstream Color”). I haven’t seen her feature directorial debut, “Sun Don’t Shine,” despite having heard good things about it. I haven’t seen her television work as an actress (“The Killing”) nor as the creative driving force (“The Girlfriend Experience”).