Every cinematic story, especially those based on real life, can be seen as a string. Lives and events are spun out long before and after the couple of hours we see, into the infinite horizon. So the first and most important decision the director and screenwriter make is where to cut that string — determining what forms the movie's beginning, middle and end.
Sully
Sully
Sully
Every cinematic story, especially those based on real life, can be seen as a string. Lives and events are spun out long before and after the couple of hours we see, into the infinite horizon. So the first and most important decision the director and screenwriter make is where to cut that string — determining what forms the movie's beginning, middle and end.