Wes Anderson's films have the feel of a retro storybook with their symmetrical composition, timeless narrative structure and the most complex and detailed simplicity. No actor can get away without delivering at least one bit of dialogue while staring straight ahead, and each character functions in a sort of existential Disneyland. In Anderson's last film,
The Grand Budapest Hotel
The Grand Budapest Hotel
The Grand Budapest Hotel
Wes Anderson's films have the feel of a retro storybook with their symmetrical composition, timeless narrative structure and the most complex and detailed simplicity. No actor can get away without delivering at least one bit of dialogue while staring straight ahead, and each character functions in a sort of existential Disneyland. In Anderson's last film,