Throughout the year, it’s always nice to hear the big highlights out of film festivals. I like to hear which films got standing ovations, boos, or even squeamish audiences due to its content. Examples of those this year include the coming-of-age cannibal film “Raw” and “The Disaster Artist,” an apparent great film about the making of one of the worst films ever made. However, the one that stuck out the most was a standing ovation for Adam Sandler...I’m being serious. Over the summer, he received a standing ovation for a film at this year’s Cannes Film Festival. That film was Noah Baumbach’s “The Meyerowitz Stories (New and Selected)” and after seeing it myself, I think more than just Sandler needs a standing ovation from this film.
The Meyerowitz Stories (New and Selected)
The Meyerowitz Stories (New and Selected)
The Meyerowitz Stories (New and Selected)
Throughout the year, it’s always nice to hear the big highlights out of film festivals. I like to hear which films got standing ovations, boos, or even squeamish audiences due to its content. Examples of those this year include the coming-of-age cannibal film “Raw” and “The Disaster Artist,” an apparent great film about the making of one of the worst films ever made. However, the one that stuck out the most was a standing ovation for Adam Sandler...I’m being serious. Over the summer, he received a standing ovation for a film at this year’s Cannes Film Festival. That film was Noah Baumbach’s “The Meyerowitz Stories (New and Selected)” and after seeing it myself, I think more than just Sandler needs a standing ovation from this film.