The victors of every war write its history and usually the artistic renditions, too. We're used to all World War II films depicting the Allies as the good guys and the Germans (or at least Nazis) as evil warmongers, with all exploits of heroism and daring restricted to our side.
The One That Got Away (1957)
The One That Got Away (1957)
The One That Got Away (1957)
The victors of every war write its history and usually the artistic renditions, too. We're used to all World War II films depicting the Allies as the good guys and the Germans (or at least Nazis) as evil warmongers, with all exploits of heroism and daring restricted to our side.