“The Post” is both rose-colored hagiography and a bracing call to arms. It summons up the days of our hallowed past, in which crusading newspapers took on the most powerful and risked their very enterprises to tell people the truth. And it’s a not-at-all bashful reminder that this sort of thing is more needed now than ever before.
The Post
The Post
The Post
“The Post” is both rose-colored hagiography and a bracing call to arms. It summons up the days of our hallowed past, in which crusading newspapers took on the most powerful and risked their very enterprises to tell people the truth. And it’s a not-at-all bashful reminder that this sort of thing is more needed now than ever before.